It is also the day when the women in Rubio-MacWright's class will finally see the pieces they’ve been working on for weeks. This particular Wednesday happens to be the day after President Trump’s annual State of the Union address, where he spent part of the night speaking about "illegal aliens," "criminal aliens," and the need for a steel barrier to be placed at the border of our country. We saw others that, through the class, left their abusive husband or knew what to do if ICE showed up." "Some would immediately start telling really private things. I didn’t expect anything from this, and now I’ve created something.'" She says the transformation is not only with the clay, but with the women who come to her class. It has that therapeutic feeling to it." She continues, "It has a lot of allusions to life, the idea of destroying the clay and restarting. "You’re working with your hands, which really almost untriggers you or relaxes you. "Clay has incredible properties," she tells me, as we sit at the counter of a pie shop in Prospect Heights, the studio's new neighborhood. And she wants to get there by using clay. When they walk away from class, she wants them to feel like they have power, like they are seen. It’s intended to be an environment for learning, where she can demonstrate how to turn a pile of clay into a bowl or a mug, but it’s also where she can teach them what to do if they're detained. These are the two messages Rubio-MacWright, 37, an artist and immigration lawyer, is trying to impart during her free Wednesday morning class at Bklyn Clay, a class that she’s crafted and created for immigrant women. One side reads, "Soy guerrera poderosa" ("I’m a powerful warrior") the other starts with "Hello, Officer." On the other, in English, is a declaration of rights to be given to the police. On one side are a few affirmations written in Spanish. They’re "Know Your Rights" cards that she plans to give out to the handful of immigrant women who will soon be populating the same table where she sits. on a Wednesday, and Carolina Rubio-MacWright is sitting at a long table inside a Brooklyn pottery studio, laminating small three-inch cards by hand.
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